Mirror the World is not carved in stone.
Like everything, it exists in a state of change.

It does not define fixed meanings and offers no prescribed interpretations.
What a work becomes, what it evokes, and what it means remains with the viewer — as a subjective, felt truth.

Mirror the World reflects the world and transforms it.
It brings objects of everyday life into the digital realm without severing their connection to the physical world.

The digital has no foundation without the reality from which it emerges.

Art here is not explained, categorized, or judged.
It stands as an open statement between both worlds — physical and digital.

Like a mirror, Mirror the World reveals without evaluating.
It reflects without directing.
In this way, it closely resembles digital transformation itself: projection, translation, reflection.

Mirror the World does not invite you to see something specific.
It invites you to discover yourself within it.